Experiencing Fame - Part 1

You hit the charts with a bullet. You're on tour. Your video is one of the most requested on TV. Your film is number one. Your TV show is a hit. You're one of the most admired sports personalities in the world. Thousands of fans admire and adore you. You should be happy. You should be ecstatic….yet you're not. You have success, but you don't really feel successful. Or worse, you can't enjoy your success because you're so worried it's going to leave and you'll be right back where you started. You're stressed, you're frazzled and you're exhausted.

"It's no wonder many celebrities, especially those in the music industry are stressed, exhausted and frazzled a good portion of the time," says Frank. "They need to stay up late because they need to unwind after a show, get up early to catch a plane, have to answer the same interview questions day after day, not eating right because they're on the road and the list goes on. There is a constant, around the clock pressure. Some try to fix this by overindulging. Others just ignore the situation until it is too late." It is important to look at the way fame is experienced by celebrities over time.
A research was carried out based on seven themes:
  1. Temporality
  2. Spatiality
  3. Bodyhood
  4. Causality
  5. Materiality
  6. Relationship to self
  7. Relationship to other.

Fame is generally experienced by celebrities, as a progression through four phases: 

1.           a period of love/hate towards the experience
2.           an addiction phase where behavior is directed solely towards the goal of remaining famous
3.           an acceptance phase, requiring a permanent change in everyday life routines
4.      and finally an adaptation phase, where new behaviors are developed in response to life changes involved in being famous. 

Celebrities, who participated in this research, described this temporal aspect as unfolding from the first moment of being famous throughout the rest of the lifespan.

Love/Hate:

At first, the experience of becoming famous provides much ego stroking. Newly famous people find themselves warmly embraced. There is a guilty pleasure associated with the thrill of being admired - in that participants both love the attention and adoration while they question the gratification they experience from fame. “I enjoy parts of it, but I hate parts of it, too,” was a generally reported theme.

Addiction:

Te lure of adoration is attractive, and it becomes difficult for the person to imagine living without fame. One participant said, “It is somewhat of a high,” and another, “I kind of get off on it.” One said, “I’ve been addicted to almost every substance known to man at one point or another, and the most addicting of them all is fame. ” Where does the celebrity go when fame passes; having become dependent on fame, how does one adjust to being less famous over time? “As the sun sets on my fame,”one celebrity said, “I’m going to have to learn how to put it in its proper place.” Te adjustment can be a difficult one. 

Acceptance:

As the attention becomes overwhelming and expectations,temptations, mistrust, and familial concerns come to the fore, the celebrity resolves to accept fame, including its threatening phenomenal aspects.“You learn to accept it,” one celebrity said. After a while, celebrities report that they come to see that fame is “just so much the will-o’-the-wisp, and you just can’t build a house on that kind of stuff.”

Adaptation:

Only after accepting that “it comes with the territory” can the celebrity adaptively navigate fame’s choppy waters. “Once you’re famous,”a participant said, “you don’t make eye contact or you keep walking . . . and you just don’t hear [people calling your name].” Adaptive patterns can include reclusiveness, which gives rise in turn to mistrust and isolation. “I don’t want to go out if I don’t feel good about looking forward to meeting anybody or just being nice to people,” another celebrity reported.
 
Source: http://www.dealingwithfame.com/
Journal of Phenomenological Psychology - D. Rockwell, D. C. Giles